Each of these images was intentionally glitched using a computer program to corrupt the data. After glitching these images, each color is then screen-printed onto a layer of plexi-glass. Four layers of plexi-glass make up the screen-printed pieces, which are then set into aluminum frames and mounted off the wall. The original images were culled form the Library of Congress online archive of digitized film negatives. All images are of various historical events. Through the process of glitching, these pieces speak of the inherent instability of digital formats and the eventual loss of information that has been digitized. I recently made an installation of 16 of these prints, displayed in a grid pattern with fluorescent light boxes one either end.